In celebration of finishing all three main characters from the TV show "Liberty's Kids", here is a little gallery showing our heroes and heroine in action.
Benjamin Franklin's Gazette is eager to print a report on the action at Turnbull's Farm. He is assigning his team of James Hiller (green waistcoat), Sarah Phillips (blue skirt), and Henri Lefebrve (red waistcoat) to gather information.
James Hiller interviews American and French officers. The Gazette will be pleased to have this first-hand information. A few earlier reports have appeared, but none have demonstrated the accuracy and clarity that these young reporters can achieve. Sarah and Henri can be seen to James' right, also jotting down their notes. Sentries ring the house, and one sits on a stool to enjoy a pipe.
Despite control of much of the countryside by American militia, it still pays to be careful when scouting for news. Those investigating events and asking questions are naturally suspicious characters and it would not do to incur even more suspicion by being seen meeting with rebel officers.
Moving carefully out of the house was a wise precaution, as the reporters are stopped by a British patrol. However, Sarah Phillips is usually able to talk her way out of trouble by demonstrating her Loyalist sympathies. The privates of the 80th Royal Edinburgh Volunteers regard her as a heroine, for she expressed her opinions of the Continental Congress too freely and escaped from captivity in the skirmish at Turnbull's Farm. (http://redcoatsandruffles.blogspot.com/2019/11/skirmish-at-turnbulls-farm.html)
In addition to her own exploits, she is honoured as the daughter of Captain Phillips, believed killed at Turnbull's Farm. His body was carried from the field by the grenadiers, but he was not dead. He is currently recovering from severe wounds suffered at Turnbull's Farm. However, he is unable to endure the rigors of campaigning, and the grenadier company is currently without its captain. His wife Lady Phillips has joined him in his convalescence.
Friday, May 29, 2020
Friday, May 15, 2020
Liberty's Kids character "Henri Lefebrve" (MPC)
Henri Lefebrve is the last of the three main characters from the TV show Liberty's Kids. His companions James Hiller and Sarah Phillips have already been featured on Redcoats and Ruffles (at http://redcoatsandruffles.blogspot.com/2018/05/libertys-kids-character-james-hiller.html and http://redcoatsandruffles.blogspot.com/2018/01/sarah-phillips.html).
Henri is a spunky and optimistic character. Originally from France, he was brought to the colonies as a slave, but rescued by James and Moses. I enjoyed him because we both shared an intense admiration for the Marquis de Lafayette.
The original figure began as a MPC militiaman running (similar to the one on far right, who was changed by lowering his musket to a "trail arms" position). His coat was removed and changed into an unbuttoned waistcoat.
(The middle figure is another conversion from the same pose. He is one of my earliest conversion works and a favorite of mine. The hoop was a water bottle cap.)
Henri was painted in acrylics with the exception of his shoes, which were painted with a glossy enamel.
Henri is a spunky and optimistic character. Originally from France, he was brought to the colonies as a slave, but rescued by James and Moses. I enjoyed him because we both shared an intense admiration for the Marquis de Lafayette.
The original figure began as a MPC militiaman running (similar to the one on far right, who was changed by lowering his musket to a "trail arms" position). His coat was removed and changed into an unbuttoned waistcoat.
(The middle figure is another conversion from the same pose. He is one of my earliest conversion works and a favorite of mine. The hoop was a water bottle cap.)
Henri was painted in acrylics with the exception of his shoes, which were painted with a glossy enamel.
Thursday, May 7, 2020
BMC House
This house began as a BMC "Gettysburg Frontier House." Its basic style made it a perfect candidate for time travel to the 18th Century, but a few changes were required.
First, the covered porch was not attached. Instead, a stone step (originally a flooring sample) was installed.
The walls were assembled and the house received a cream-colored interior coat of paint, as well as a black wash outside. Interior windows and both sides of the door were accented with half-round plastic sprue (visible if you click on the top image).
The roof itself received very few changes, aside from shaving one edge slightly to accommodate the chimney.
The shutters were popsicle sticks that were embossed into the shutter pattern and painted. They were then glued onto the building. Most were glued open, but the window at the top does not have enough room for that. Therefore, that window was permanently shut.
The chimney was an interesting and enjoyable piece of work. Beginning with a piece of pink insulation foam, the shape was traced from a book and cut out. Brick pattern was embossed using a pen. The entire chimney was then painted in several different coats of red, and the mortar was painted after that. Finally, a wash of black paint was applied to tone down the "fire engine red" color and give it a weathered look.
The interior was deliberately left plain to allow for the addition of any furniture desired.
However, I did add a fireplace (a wooden dollhouse accessory from Joann's). The stone hearth was formed from Sculpey pressed into a rocky texture plate. The hearth was painted gray, the mortar was painted beige, then washed with black wash.
It makes a perfect setting for the lovely Marx Colonial accessories, as well as Barzso's relaxed American Revolution camp figures.
Now this house is furnished inside and out, ready for any action that may arise!
First, the covered porch was not attached. Instead, a stone step (originally a flooring sample) was installed.
The walls were assembled and the house received a cream-colored interior coat of paint, as well as a black wash outside. Interior windows and both sides of the door were accented with half-round plastic sprue (visible if you click on the top image).
The roof itself received very few changes, aside from shaving one edge slightly to accommodate the chimney.
The shutters were popsicle sticks that were embossed into the shutter pattern and painted. They were then glued onto the building. Most were glued open, but the window at the top does not have enough room for that. Therefore, that window was permanently shut.
The chimney was an interesting and enjoyable piece of work. Beginning with a piece of pink insulation foam, the shape was traced from a book and cut out. Brick pattern was embossed using a pen. The entire chimney was then painted in several different coats of red, and the mortar was painted after that. Finally, a wash of black paint was applied to tone down the "fire engine red" color and give it a weathered look.
The interior was deliberately left plain to allow for the addition of any furniture desired.
However, I did add a fireplace (a wooden dollhouse accessory from Joann's). The stone hearth was formed from Sculpey pressed into a rocky texture plate. The hearth was painted gray, the mortar was painted beige, then washed with black wash.
It makes a perfect setting for the lovely Marx Colonial accessories, as well as Barzso's relaxed American Revolution camp figures.
Now this house is furnished inside and out, ready for any action that may arise!
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